Hearing Schubert D779n13

Saturday, January 21, 2017

Michael Pamer, Neue brillante Ländler (1827)

I have published two posts on Michael Pamer's Neue brillante Ländler (12 volumes, 1827): link to the first post. Pamer is widely regarded as the skilled musician who brought the style of the "Linzer Geiger" into dance halls and house balls, though it was his protegés, Lanner and Johann Strauss, sr., who became famous for it.

Friday, December 16, 2016

Administrative post: updated links to some files

Early next year, Dropbox is changing the public folder to a shared folder. Therefore, I have moved all files that were formerly on Dropbox to Google Drive. Here is an alphabetical list with the new links:

Chopin, Prelude in E Major, op. 28n9: link.

Guide to my blog Hearing Schubert D779n13: link.

Neumeyer, handout for 2010 Society of Music Theory presentation: link.

Neumeyer research vita: link.

Schubert dance table: link.

Wednesday, November 23, 2016

Revised Playford essay published

I have published a heavily revised version of my essay/documentation John Playford Dancing Master: Rising Lines (link to original). The new version is, appropriately, titled John Playford Dancing Master: Rising Lines, Revised and Updated. It can be found on the Texas Scholar Works platform here: link to revision.

Here is the abstract:
This updates and substantially revises two publications of mine on the Texas Scholar Works platform: John Playford Dancing Master: Rising Lines (2010; 2015) and the corresponding section in Rising Lines in Tonal Frameworks of Traditional Tonal Music (2015). The main goal was to provide higher quality graphics, but I have also written a new introduction as well as new analysis and commentary for almost all of the dances.

Sunday, November 13, 2016

Minor key essay

On my Ascending Cadence Gestures blog I have just finished a minor key series. I have gathered the posts into an essay that has been published on the Texas Scholar Works platform: Ascending Lines in the Minor Key.

The essay contains all posts from the series, along with a newly written "concluding comment."

Here is the abstract:
The minor key poses obstacles to rising cadence gestures, and the number of compositions with convincing linear ascents is small. This essay assumes a mostly traditional Schenkerian point of view and studies that limited repertoire of pieces, which includes 17th and early 18th century music relying on the Dorian octave, and compositions by a variety of composers from Johann Walther and Thomas Morley, through François Couperin and Beethoven, to Brahms, Hugo Wolf, and Carl Kiefert.

Tuesday, September 6, 2016

New essay published

I have published a new essay titled Rising Gestures, Text Expression, and the Background as Theme on Texas Scholar Works: link. Here is the abstract:
Walter Everett's categories for tonal design features in nineteenth-century songs fit the framework of the Classic/Romantic dichotomy: eighteenth-century practice is the benchmark for progressive but conflicted alternatives. These categories are analogous to themes in literary interpretation; so understood, they suggest a broader range of options for the content of the background than the three Schenkerian Urlinien regarded as essentialized universals. The analysis of a Brahms song, "Über die See," Op. 69/7, provides a case study in one type, the rising line, and also the entry point for a critique of Everett's reliance on a self- contradictory attitude toward the Schenkerian historical narrative.

Friday, July 22, 2016

Historical survey essay

I have posted a new essay to Texas Scholar Works: Ascending Cadence Gestures: A Historical Survey from the 16th to the Early 19th Century. Here is the link: essay link. And here is the abstract:
Cadences are formulaic gestures of closure and temporal articulation in music. Although in the minority, rising melodic figures have a long history in cadences in European music of all genres. This essay documents and analyzes characteristic instances of rising cadential lines from the late 16th century through the 1830s.
Almost all of the material for this essay came from posts over the past several months to my blog Ascending Cadence Gestures.