As in the earlier sets, the strongly marked promenade piece that opens D783 begins. This number is also D790n2, where it is followed by a trio in D major (D790n3). I have inserted that here as the second dance, but instead of returning to D783n1/D790n2 as the reprise, I insert the first two strains of n3 from Papillons, a piece with a very similar character for which D783n1 may very well have served as the model (since Schumann knew D783 well: see this post). The ending in A major with rising cadence gesture is an invitation to the second trio, the 16-bar version of D779n13. Then D783n1 returns as the final reprise in the AB(A)CA design.
