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Copyright by the author.
David Neumeyer
Post with a Guide to this blog: link.
Link to the blog Dance and Dance Music, 1650-1850.
Link to the blog Ascending Cadence Gestures in Tonal Music.
Link to my publications list: link.
Blog Archive
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2009
(77)
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December
(32)
- My reply to James Buhler
- James Buhler's response
- The "Riemannian Hand" and Schubert's voicings
- Dance table
- Language and the rising line
- Hexatonic cycles, after Cohn
- Plantinga on Schumann's Schubert
- Closed-position textures
- Schubert holograph
- more on Schumann and the F-major experiments
- Schubert's F-major experiments
- more to diachrony and synchrony
- Ländler and deutscher, part II
- Ländler and deutscher, part I
- The 8-to-16-to-32 bar narrative
- Waltz publications during Schubert's lifetime
- Seven Types of Ambiguity
- Gesellschaftspiel; pianos
- Schubert's "Riemannian Hand"
- addendum to Lerdahl and Jackendoff
- Teleology
- more to signature transformations
- Recomposition after Ravel, Valses nobles et sentim...
- Prokofiev's Schubert-Waltz Suite
- Recomposition and nostalgia (Liszt)
- Imaginary continuo (after Rothstein)
- Parody (after Wheeldon)
- Trouble with thumbnails
- The anticipating 6-4: background for metrical read...
- Meter-as-rhythm (after Hasty)
- Metrical reading (after London)
- Dialectic of continuity/discontinuity (after Kieli...
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December
(32)
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