This is a continuation of yesterday's post. I have constructed a second re-composition that goes a rather different direction: where my chain of dances from D365 + D779n13 yesterday emphasized the Ländler traits of the group, here I will be fitting D779n13 (as a trio) to two numbers from the D783 German dances. The most boisterous of the lot, n1, starts, with D779n13 in its 16-bar version as a first trio; after a reprise of n1, the mode change ties the second trio to D779n13 as "other"; again reprise to close. This version simultaneously brings out the
deutscher traits and the
Zärtlichkeit of D779n13.
Another way to go about it brings tonal relations, including mediants, into strong relief. The initial dance-trio-dance-trio group is the same, but the second reprise of n1 is replaced by n9, a piece of similar character and in a mediant relation to n10, which precedes n9 here; another mediant change brings back the D779n13 trio, and finally we hear a reprise of n1 to round things off. Or: n1-13-1-10-9-13-1, and IDENT-IDENT-P-L-RP-IDENT, where IDENT means neither tonic nor mode change.
